Showing posts with label Biscet. Show all posts
Showing posts with label Biscet. Show all posts

Wednesday, May 4, 2011

Voice of the Resistance

Dr. Óscar Elías Biscet.

Dr. Óscar Biscet, in Cuba’s prisons for twelve years, speaks.

‘I need to get to work,” says Dr. Óscar Elías Biscet. Are you familiar with him? He is perhaps the foremost Cuban democracy activist, a symbol of the general resistance to the Castro dictatorship. Has he been neglecting his work? Not exactly. For the past twelve years, essentially, he has been in prison, suffering the things that the regime’s prisoners have always suffered. George W. Bush gave him the Presidential Medal of Freedom in 2007. The recipient could not accept it in person, of course. But he has now been released from prison. The day, so long hoped for, by so many of us, was March 11. I spoke to him three weeks after.

Biscet was born in 1961 and has a wife, Elsa Morejón Hernández, and two children, Winnie and Yan. The children have been in the United States for several years; Elsa, like her husband, is in Cuba. Biscet obtained his degree in internal medicine in 1985. A few years later, he embarked on human-rights activism. In 1994, he was charged with “dangerousness,” a very common charge. It means that the individual in question will not submit meekly to dictatorial rule. In 1997, Biscet established the Lawton Foundation for Human Rights (“Lawton” being the name of the Havana neighborhood in which he lived). The organization, of course, is banned. In 1998, he spoke out strongly against abortion, particularly late-term abortion: In his work as a doctor, he saw ghastly things. The authorities responded harshly to his protest.

After being detained repeatedly — 26 times — Biscet was arrested in 1999 and thrown in prison for three years. He was released on Oct. 31, 2002, and had 36 days outside of prison. During this time, he worked on his “Democratic Principles for Cuba” and a civic project called “Club for Friends of Human Rights.” He was again arrested on Dec. 6, 2002, and underwent his ordeal until last March 11.

I found it somewhat amazing to hear his voice, after reading about him and writing about him for many years. His voice was low, grave, and resolute. We spoke by phone, Biscet in Havana, his questioner in New York. Serving as translator between us was Aramis Perez, of the Directorio Democrático Cubano in Miami.

Biscet has felt “a kind of ambivalence” in the last few weeks. Those are his words: “a kind of ambivalence.” “I’m happy to be able to return home to my wife, but I’m unhappy to see an entire people still without freedom.” In his view, Cuba as a whole is “the big prison” while El Combinado del Este, where he and so many other dissidents have been confined, is “the little prison.” “We who live under this dictatorship look to the sea and know that the sea is our prison bars.” Biscet also says, “This great, beautiful island of Cuba has been converted by the Castro brothers into their own personal estate.”

Why, in his estimation, did the government choose to release him? “Because of the economic crisis, coupled with the social and moral crisis. The government offers false expectations of democratic change. They do this so that free countries will give them economic support. My release is part of the effort to create false expectations.” The government’s overriding goal is “to be financed. They want more money, even as they impoverish the Cuban people, and, with money, they will remain in power.”

In the weeks before Biscet’s release, a movement was building around the world to get him the Nobel peace prize. He was nominated by the prime minister of Hungary, U.S. congressmen, members of the European Parliament, and others. Did this movement have an effect on the Cuban government and its decision making? Biscet is less likely to get the prize outside of prison than he was inside. He can’t say for sure whether the Nobel prize played a part in the government’s calculations. But he can say this: “It was a political error for the regime to imprison the Group of 75,” an error that cost the regime in the court of world opinion. The 75 are the democracy activists arrested in the crackdown of March 2003, known as the “Black Spring.” These prisoners have now been released.

Almost all of them were exiled to Spain. This is what the regime wanted to do with Biscet, too, but he strongly resisted this fate. His supporters around the world backed him in this resistance. Instead of exiling him, the government has released him on a kind of parole. Biscet is serving out his prison term beyond the gates of prison itself. His continued freedom depends on his “good conduct.” Why was he so set against exile? “Because I love the people of Cuba and want them to be free. I want basic human rights to be respected, so that the Cuban people can develop themselves and their talents fully. They need freedom in order to develop themselves fully.”

Men and women of Biscet’s makeup always resist exile, no matter how terrible are the conditions at home. Remember that Solzhenitsyn did not leave the Soviet Union voluntarily; he was expelled, a fate he considered a tragedy.

Somewhat gingerly, I ask what it was like inside prison. For years, we heard reports of the torture that Biscet was enduring. He answers me very, very briefly (and I don’t press him): “My experience was very traumatic. I was forced to live among criminals,” meaning common criminals, thugs, not prisoners of conscience, like Biscet himself. And he was indeed tortured — “primarily between 2002 and 2006.” He immediately adds, “I also gained a lot of wisdom, because I studied a great deal and drew closer to the Biblical God.” Biscet is a devoted Christian. The authorities allowed him a Bible, although he could not share it with anyone, or pray with anyone. If this happened, the other prisoner would be punished and transferred to another cell. Biscet also says, “I thought of Beethoven, who said, ‘There is no evil so great that no good can come of it.’”

Biscet is a steadfast advocate of nonviolence: a nonviolent struggle for political change. We have always heard that his models are Thoreau, Gandhi, Martin Luther King, and the Dalai Lama. Is this so? Yes, says Biscet, but there are others, ones who may not be as “universal,” because they come from the Bible, and not all “accept Biblical teaching.” He cites Moses — “who led the first nonviolent revolution.” Then he mentions the three Hebrew boys, Shadrach, Meshach, and Abednego. “When a king tried to force them to bow down before an idol, they refused. They knew that God would help them — and even if He did not, they would never bow down to an idol.” While in prison, Biscet “kept them close, because they are examples of freedom of expression and freedom of religion.” And they were, of course, delivered.

For the Presidential Medal of Freedom, Biscet will not take any personal credit. “I felt honored, but I wasn’t the only person being recognized with the medal. The American people saw in me the suffering of the entire Cuban nation.” And the medal “helped change the way the world thought about Cuba.” One day, Biscet would like to meet Bush and “thank him for everything he has done for Cuba’s freedom.”

Why was abortion so important to him, early in his dissidence, and why it is important now? “The fundamental duty of a physician is to defend life.” And “life lasts from conception until natural death.” Biscet maintains that science makes clear that a fetus is “a human being distinct from the mother.” He regards abortion as “a crime against humanity.” And he links the issue to human rights more broadly. What about the Cuban health-care system as a general proposition? One of the myths of the Cuban revolution is that it has provided health for all. This is not a myth that works on Biscet, who, as a Cuban doctor, knows too much.

What about another myth, then — the myth that Communist rule has been a boon to blacks? Biscet himself is black, as are many other leaders of the opposition. His contempt for this myth is unconcealed. “Completely false,” he answers. “We know that the Cuban dictatorship is anti-American, anti-Semitic, and anti-black.” And if you would like to know what the dictatorship thinks of black Cubans, “you need only go to Cuban prisons.”

It is natural to ask Biscet what he thinks of a contentious issue in the United States: the longstanding sanctions on the Cuban regime, known collectively as “the embargo.” He says, “The embargo has helped the Cuban people both politically and morally.” He wishes that all “free and civilized countries would boycott Cuba, the way they did racist South Africa.” The world made South Africa a pariah state. The American embargo should be lifted, says Biscet, “when the embargo against the Cuban people’s human rights,” imposed by the dictatorship, “is lifted.”

As he sees it, “civilized countries” have given the dictatorship “life” and “oxygen” for the past 20 years — i.e., since the collapse of the Soviet Union. And when he says “civilized countries,” does he mean Western Europe, which has sent so much cash Havana’s way? “I mean civilized countries in Europe, Latin America, and North America” (which is to say, Canada and Mexico).

Recently, Jimmy Carter was in Cuba, seeing the Castro brothers and others, including some democracy activists, Biscet among them. During his stay, Carter referred to Fidel Castro as an “old friend.” This is appalling to Biscet, as to other democrats. “One can have different ideas, and they should be respected. But to call a tyrant a friend is truly horrible.” Many in the world have tried to make a hero out of Castro. And “we should not encourage the creation of false heroes.”

Then we have the question of Biscet’s future: What will he do? He says that his immediate task is to “recover psychologically and physically” from his twelve years in darkness and hell. “I hope to be in the best possible condition,” to do the work he finds it unavoidable to do. Does he expect to be rearrested? “Anything is possible,” but he will work without fear. He believes that the island’s democrats are basically united, although “we do live under a totalitarian dictatorship that uses all of its resources to attempt to destroy us, which makes it difficult to progress as quickly as we would like.” That is probably the understatement of the hour — the hour of our time together.

The Cuban people are “enslaved,” Biscet says, “but, here in Cuba, the slaves will revolt,” as they have done elsewhere. He mentions China, Iran, and Libya. And he describes a great challenge of the opposition: to shape a transition to democracy without a Tiananmen Square. Without a massacre by the rulers, who will not give up power sweetly.

What does he want from America? He wants people to recognize just how bad the Cuban dictatorship is. And he wants solidarity. “The American people can help the Cuban people by drawing close to us in our suffering. Those of you who live in freedom have the ability to do this.” Above all, he says, do not provide the regime with the “oxygen” it needs to survive. He sees the Obama administration making concessions to the regime. And it is incomprehensible to him why “civilized and democratic countries” should lend a hand to such people — should give oxygen to the persecutors of so many, persecutors who are ripe for a great push.

After we hung up with Biscet, I talked for a while with Aramis Perez, who had translated. How did he think Biscet had sounded? “Serene and collected. He spoke out of such conviction that he did not need to emphasize his words” — they all had authority. Every now and then, you feel that you have encountered a great man. Someone who makes up for some measure of human iniquity and indifference. Perez and I felt this about Biscet. So will many others, around the world, if they get to know him.

Jay Nordlinger 

Source: National Review Online


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  • Saturday, March 19, 2011

    In spite of release of dissidents, Cuba continues "to stifle freedom of expression"

    The Cuban authorities are continuing to stifle freedom of expression on the island in spite of the much-publicized recent wave of releases of prominent dissidents, Amnesty International warned ahead of the eighth anniversary of a crackdown on activists.

    Hundreds of pro-democracy activists have suffered harassment, intimidation and arbitrary arrest in recent weeks as the Cuban government employs new tactics to stamp out dissent.

    Of 75 activists arrested in a crackdown around 18 March 2003, (‘Black Spring’) only three remain in jail after 50 releases since last June, with most of the freed activists currently exiled in Spain. Amnesty International has called for the remaining prisoners to be released immediately and unconditionally.

    “The release of those detained in the 2003 crackdown is a hugely positive step but it tells only one side of the story facing Cuban human rights activists,” said Gerardo Ducos, Cuba researcher at Amnesty International.

    “Those living on the island are still being targeted for their work, especially through short-term detentions, while repressive laws give the Cuban authorities a free rein to punish anyone who criticizes them.”

    ”Meanwhile, three of the prisoners detained eight years ago still languish in prison and must be freed immediately.“

    In one recent crackdown the authorities detained over one hundred people in one day in a pre-emptive strike designed to stop activists marking the death of activist Orlando Zapata Tamayo, who died following a prolonged hunger strike while in detention.

    On 23 February, the one-year anniversary of Tamayo's death, according to the Cuban Commission of Human Rights and National Reconciliation, the authorities placed over 50 people under house arrest before freeing them hours later.

    Activist Néstor Rodríguez Lobaina, was recently named a prisoner of conscience by Amnesty International after being detained without trial for over three months.

    The president of the Cuban Youth Movement for Democracy was arrested after organizing an activists' meeting inside his own home.

    ”Cubans are still at the mercy of draconian laws that class activism as a crime and anyone who dares to criticize the authorities is at risk of detention,“ said Gerardo Ducos.

    ”In addition to releasing long-term prisoners of conscience, to properly realize freedom of expression the Cuban government also has to change its laws.”

    Seventy-five people were jailed in a massive crackdown against the dissident movement around 18 March 2003 for the peaceful exercise of their right to freedom of expression.

    Most of them were charged with crimes including “acts against the independence of the state” because they allegedly received funds and/or materials from US-based NGOs financed by the US government.

    They were sentenced to between six and 28 years in prison after speedy and unfair trials for engaging in activities the authorities perceived as subversive and damaging to Cuba. These activities included publishing articles or giving interviews to US-funded media, communicating with international human rights organizations and having contact with entities or individuals viewed to be hostile to Cuba.
    From: MercoPress


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  • Saturday, February 19, 2011

    Cuba frees another political prisoner

    Iván Hernández Carrillo
    Cuba has freed another political prisoner, leaving only six still behind bars from a group of 52 that President Raúl Castro has promised to release, the Catholic Church said.

    The latest was Iván Hernández Carrillo, who had been jailed since a 2003 government crackdown on opponents and was serving a 25-year sentence.

    Castro has said he wants to clear all political prisoners from Cuban jails in an apparent attempt to end one of Cuba's thorniest international issues as it moves into a new era of economic reform.

    In a deal brokered by the Church, Castro agreed in July to free the 52, those remaining in jail after 75 were arrested in the 2003 crackdown, which drew wide condemnation of the communist-led government.

    Hernández, 39, told reporters from his family's home in Colón, 135 miles (220 km) southeast of Havana, that he was "very happy to be in my house, sharing freedom with my family and friends."

    He vowed to resume his work as an independent journalist, which led to his imprisonment in 2003, and fight "for freedom of expression, for respect for human rights."

    Castro wanted the freed dissidents to go to Spain, which agreed to take them, and most have. But the last prisoners, including Hernández, have refused to go and will be allowed to stay in Cuba.

    Cuba views dissidents as mercenaries who work for the United States.

    It is not clear how many more political prisoners Cuba has, but it has been releasing most of those who jailed for committing crimes either while trying to flee Cuba or during activities against the government.

    The Church said in a separate announcement that six other prisoners not included in the group of 52 would be freed soon and sent to Spain.

    Source: Buenos Aires Herald


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  • Wednesday, February 9, 2011

    Cuban artists expose revival of racism on the island

    The Raft (2010), ARMANDO MARIÑO.
    Rebellion is in the air. Whether in the cities of Africa and the Middle East, or within disparate communities of artists, people are examining the current status of human rights and finding it lacking.

    While street crowds are forcing political change, the liter­ati are prodding more benign conversation about perceived inequities.

    A case in point is the taboo-bashing exhibition "Queloides: Race & Racism in Cuban Contemporary Art" at the Mattress Factory. "Queloides" translates as "keloids," protruding scars caused by trauma, which exhibition curators apply to the wounds racism has inflicted upon the body politic.

    This show, which opened last year at the prestigious Centro de Arte Contemporaneo Wifredo Lam in Havana, hit a nerve within the island's bureaucracy, which projects an image of social harmony. When Pittsburgh-based co-curator Alejandro de la Fuente tried to visit family in June, he, his wife and child were turned back at the airport by Cuban authorities.

    The exhibition can be seen on multiple levels dependent upon one's familiarity with Cuban culture, history and contemporary politics. But none of that is necessary to be seduced by the effervescent artworks that herald it. In the museum parking lot is Armando Marino's classic 1950s Plymouth, its chassis replaced by multiple pairs of bare-footed, dark-skinned legs. Elio Rodriguez's inflated black protuberances -- a cross between alien invasion and suggestive body parts -- wind across the roof and upper story of the satellite gallery at 1414 Monterey. Both are startling, a bit surreal, and certain to stimulate the imagination -- vintage Mattress Factory.

    The socialist state declared an end to racism as a part of the reforms instituted during the 1960s revolution. But whatever progress had been made disappeared in the 1990s when the Soviet Union collapsed, reducing funding to Cuba and resulting in the economic crisis of "The Special Period." As opportunities dried up, the already disadvantaged tended to suffer the most, an observation that makes the exhibition broadly applicable as economies shrink globally.

    Artists who were educated in the egalitarian era before the turmoil began to reflect the issue of racism in their work. The first two "Queloides" exhibitions were held in Havana in 1997 and 1999. The time felt right for a third edition to Dr. de la Fuente, an authority on race in Cuba and a University Center for International Studies professor of history and Latin American studies at the University of Pittsburgh. A 2007 conversation with co-curator Elio Rodriguez sparked the process.

    Enter the Mattress Factory, which has a history of giving voice to artists who would otherwise be unheard, from Eastern Europe to East Asia. In 2004-05, the museum presented "New Installations, Artists in Residence: Cuba," which included work by two artists in the current show, Meira Marrero and Jose Toirac, who collaborated with Loring McAlpin.

    "In every country, artists are addressing issues of fairness and social justice ... . They give a visibility to hidden problems in a way that affects one on a visceral level," write museum co-directors Barbara Luderowski and Michael Olijnyk in the exhibition catalog.

    Ironically, the Bush administration denied visas to the artists of the 2004 show, so their "residency" was virtual and physical works were completed per instruction by Mattress Factory staff. The 2010 artists were permitted to travel to Pittsburgh to create additional works for this venue.

    The 2010-11 "Queloides" comprises video, installation, painting, photography and works on paper by 13 artists, five of whom have been represented in all three shows. All were Cuban-born, but several now live and/or work outside Cuba. Two are deceased, Pedro Alvarez and Belkis Ayon.

    The Cuban cultural authorities at first approved the Havana show, but later tried to rescind their decision. To save it, Dr. de la Fuente agreed not to attend the exhibition even as he encouraged the artists to carry on. It was the month after the show closed that he tried to re-enter Cuba.

    There were three guidelines thought important for the current show: That it open in Cuba, that it travel outside the country, and that it be accompanied by a catalog. The latter has significance in that it documents all of the "Queloides." The previous shows had been ignored by the Cuban art world and press and thus lost to memory.

    As fascinating as is the context, the work carries the exhibition, suspending the viewer between visual language that is familiarly contemporary and more exotic references.

    Mr. Marino's "The Raft" gains dimensionality if read as commentary on, perhaps, the exploitation of blacks in the Cuban labor market, Cuba's economic plight which keeps consumer goods out of the reach of many, or the various means islanders have employed in often failed attempts to reach the U.S. mainland (www.floatingcubans.com).

    Mr. Rodriguez's "Black Ceiba" conflates the Ceiba tree -- sacred to religious practices of indigenous peoples and Afro-Cuban syncretic cults -- with stereotypes of black sexuality and violent behavior.

    Other senses come into play via the acrid smell of charred wood in Roberto Diago's solemn "Ascending City," and the kitchen sweetness of the walls of brown sugar bricks in Maria Magdalena Campos-Pons' transporting "Guardarraya." In this multimedia piece, viewers are guided to a projection that distorts like fun-house mirror reflections over a rectangle of refined white sugar on the floor. The video, and one on the wall, shows images of two women, one black and one white, embracing and exchanging a bouquet of flowers. Its sensuality is heightened by images of fruits, including several split pomegranates, a traditional symbol of feminine fertility in Western art.

    As "Guardarraya" obliquely references the grassy passageways between thickly planted fields of sugar cane, Douglas Perez's imposing five-panel "Ecosystem" takes form from the large centipedes that populate those fields. But a closer look reveals rows of brown figures, some sporting clothing with brand logos, that morph into sickly and then skeletal shapes.

    Fruit is one of the subjects that appears throughout the exhibition -- symbolic of Cuba's tropic lushness, of Latin stereotypes, of the offerings made by followers of Afro-Cuban religions. Alexis Esquivel designed tongue-in-cheek "Urban Sarayeye VAPROR -- 2059, Automatic Vehicle to Collect Religious Offerings," a robot to whisk away spoiling fruit left by devotees in public places more clinically than sanitation personnel who risk being accused of religious bias.

    Religion is another thread that manifests through the exhibition. Marta Maria Perez Bravo uses her body as prop for powerful photographs that channel the mystical aura of Santeria, an Afro-Caribbean religion that combines Yoruba, Roman Catholic and Native Indian traditions.

    In the stone-lined lower gallery is Mr. Toirac and Ms. Marrero's "Ave Maria," a table holding several versions of Cuba's patron Virgin of Charity of El Cobre, seemingly afloat on a blue sea of carpet. The statues, which range from kitsch to antique, each depict the Virgin Mary and the three Juans -- a Creole, an Indian and a slave -- that she saved during a storm, a display of folk belief that doubles as a plea for unity.

    Manuel Arenas and Rene Pena more pointedly address race and the outsider status of the black male. On the far wall of Mr. Arenas' minimalist white cubical space are the words "Am I Not a Man and a Brother?," a phrase employed by the American abolitionist movement. Mr. Pena's photograph "Samurai" graces the catalog cover. The artist, nude save for a hat, holding a sword, and in a pose that references Donatello's "David," plays between Renaissance ideals of self-awareness and beauty, and cultural notions of blacks as threatening and unattractive.

    There is more to explore, not the least being the many references to U.S. politics and culture that suggest Cubans are a lot more cognizant of what's happening here than we are of a country so near.

    This "Queloides" continues a pluralistic and inclusive conversation on "racism, nation, history, and Cubanness" that began a dozen years ago, Dr. de la Fuente writes in the catalog. "From the island, some intellectuals cum bureaucrats are now trying to monopolize this conversation, to encapsulate it in sterile official commissions, and to hide it behind the mediocrity of patriotism and insularity. They are wasting their time.

    " 'Queloides' proves it."

    By Mary Thomas

    From: Post-Gazette


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  • Thursday, January 20, 2011

    Movie confronts Cuba's human rights record


    There was a time, thankfully long, long ago, when Fidel Castro was the rage.

    On Nov. 16, 1961, while speaking at the University of Washington's centennial convocation, President Kennedy was greeted by student protesters waving signs that read, "No more sugar trust invasions" and "Fair play for Cuba" (for a detailed account of Kennedy's Seattle speech, see Greg Lange's 1999 HistoryLink essay). It was the era of decolonization and CIA covert ops. In 1959 Cuban dictator Fulgencio Batista was deposed by a 30-something revolutionary with a utopian vision.

    It was Edenic, at least for the first couple of weeks.

    In his 2010 memoir,  Hitch-22, former lefty Christopher Hitchens tracks his growing disillusionment with the Cuban experiment after participating in a work camp for young revolutionaries and witnessing the Castro regime's posturing during the 1968 Prague Spring. Fast forward a few decades and Cuba is a Batista redux. Human rights abuses are fixed in amber.

    With promising democratic revolutions taking place (think Tunisia), it might be useful to revisit the human rights record of our imprisoned neighbors to the south. On Friday, Jan. 21, the University of Washington presents the Northwest premiere of "Oscar's Cuba," a documentary about Dr. Oscar Elias Biscet, who made the mistake of flagging Cuban human rights abuses and was rewarded with a 25-year prison sentence. Director Jordan Allott will introduce the film followed by a panel discussion. Admission is free.

    By Pete Jackson

    The Oscar's Cuba documentary "sneak peek"


    If you go: "Oscar's Cuba," Friday Jan. 21, 2011 6:30 pm Kane Hall 210. Hosted by the UW Center for Human Rights. Sponsored by the Give2Cuba Project of the Seattle International Foundation, in cooperation with the Seattle Latino Film Festival, the UW's Latin American and Caribbean Studies Program, and the UW'S Simpson Center for the Humanities.

    From: Crosscut Tout



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  • Monday, November 1, 2010

    "Women in White" - A documentary about the Ladies in White

    More "guts" than the rulers of Cuba.
    Narrated by Andy Garcia, the 55 minute documentary, The Women in White, tells the story of courageous Cuban women trying to free their imprisoned men.

    In March 2003, Castro ordered a crackdown of dissidents.  His secret police arrested 75 men – journalists, writers and human rights activists – during three nights now known as “Black Spring.”

    Two weeks later, the men’s wives, mothers, daughters and sisters gathered to pray for the release of their loved ones.  In that crystallized moment, “Las Damas De Blanco” was born. Every Sunday since, the women dress in white and silently walk the streets of Havana. 

    This documentary was finished last year. Some things have changed since then, but many political prisoners still remain in jail and their wives, daughters and mothers continue to fight for their freedom.





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  • Thursday, October 21, 2010

    Cuban dissident wins Sakharov prize

    Guillermo farinas during his 135-day hunger strike earlier this year
    The European parliament has awarded its prestigious Sakharov human rights prize to Cuban dissident Guillermo Farinas, parliamentary sources told AFP.

    "The Sakharov winner is Guillermo Farinas," a source said on condition of anonymity.

    The 48-year-old journalist and psychologist has often used hunger strikes, putting his own health at risk, as a means of protest to achieve greater freedoms in the Communist island of Cuba.

    Farinas is the third Cuban to receive the prize, after Oswaldo Paya in 2002 and the Ladies in White group of women whose husbands are jailed in Cuba, which received the award in 2005.

    European parliament president Jerzy Buzek will officially announce Farinas as the winner of the Sakharov Prize later on Thursday. The award will be presented to the winner on December 15.

    The 22nd Sakharov Prize, named after late Soviet dissident Andrei Sakharov, comes with a cash award of E50,000 ($A70,932).

    Ethiopian opposition leader Birtukan Mideksa and Israeli rights group Breaking the Silence had also been on the shortlist for this year's award.

    The decision to give this year's award to Farinas came four days before European Union foreign ministers meet in Luxembourg to discuss the 27-nation bloc's relations with Cuba.

    Spain's Socialist government wants the EU to normalise relations with Cuba, a position opposed by the Czech Republic and Slovakia, former communist bloc countries.

    The EU's "common position" at present is to insist that Cuba make progress on human rights and democracy before ties are normalised.

    Farinas held a 135-day hunger strike earlier this year that left him near death but compelled the Cuban government to agree to release 52 political prisoners.

    Another fast between 1995 and 1997 brought attention to his allegations of corruption at the hospital where he worked.

    He also carried out a six-month hunger strike in 2006, but that time he failed to force the government to allow freer access to the Internet.

    From: World News Australia


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  • Thursday, October 14, 2010

    Lincoln Center Sponsors Jazz for Castro-Stalinism

    30 years ago the Jazz was still "an instrument of the U.S. imperialism" in Castro's Cuba, together with other "capitalist" music genres. In the picture, the Jazz Band Sagua from the 1920s, one of the first Cuban Jazz Bands
    Multi-Grammy winner Wynton Marsalis, who serves as artistic director for jazz at the Lincoln Center, also serves as an official "United Nations Messenger of Peace."  On Martin Luther King Day 2006, Mr Marsalis addressed Tulane University, quoting Dr King's words and hailing his deeds. "Dr. King's actions made his dream our reality," Marsalis beamed.

    In 2004 The Lincoln Center, with Wynton Marsalis as top act, held a concert titled the "Celebration of Human Rights and Social Justice."

    Wynton Marsalis and his Jazz at Lincoln Center Orchestra spent all of last week as a grateful guest of a Stalinist/Apartheid regime that murdered more political prisoners in its first three years in power than Hitler's murdered in its first six and that  jailed political prisoners at a higher rate than Stalin. Among these victims were the longest-suffering black political prisoners in modern history. Within walking distance of where Wynton Marsalis and his Lincoln Center jazz luminaries hob-knobbed with Castro officials at Havana's Teatro Mella,  black political prisoners were being tortured for the crime of publicly quoting the works of Marin Luther King and the UN Declaration of Human Rights. Among these prisoners is Dr. Oscar Elias Biscet, an Amnesty international prisoner of conscience who was awarded (obviously in absentia) The Presidential Medal of Freedom by President Bush in 2008.

    Many Cuban blacks suffered longer incarceration in Castro's dungeons and torture chambers than Nelson Mandela suffered in South Africa's. In fact, they qualify as the longest-suffering political prisoners in modern history. Eusebio Penalver, Ignacio Cuesta Valle, Antonio Lopez Munoz, Ricardo Valdes Cancio and many other Cuban blacks suffered almost 30 years in Castro's prisons. These men were bloodied in their fight against the Lincoln Center's partners but remained unbowed for almost 30 years in its dungeons.   Castro's KGB-trained torturers called these black prisoners "plantados" -- defiant ones, unbreakable ones.  

    "Stalin tortured," wrote Arthur Koestler, "not to force you to reveal a fact, but to force you to collude in a fiction."

    "The worst part of Communism," wrote Solzhenitsyn, "is being forced to live a lie."

    These Cuban blacks refused to collude in this lie. They spit in the face of Wynton Marsalis' hosts.  They scorned any "re-education" by the Lincoln Center's Stalinist partners.  They knew it was they who desperately needed it. They refused to wear the uniform of common criminals. They knew it was Marsalis' hosts who should don them. Charles Rangel, Jesse Jackson, Danny Glover, Jeremiah Wright and the Congressional Black Caucus  all toast the Stalinist torturer, and the Lincoln Center seems delighted with his partnership, but many of the Blacks cursed by fate to live under Fidel Castro stood tall, proud and defiant against his regime's  tortures.

    Shortly before the former Cuban political prisoner's death in 2006, this writer had the honor of interviewing Eusebio Penalver. "For months I was naked in a 6 x 4 foot cell," Eusebio recalled. "That's 4 feet high, so you couldn't stand. But I felt a great freedom inside myself. I refused to commit spiritual suicide."  Sr Penalver served several months of this 30 year sentence naked in a "punishment cell" barely big enough to stand in, where he languished naked and in complete darkness.

    "N**ger!" taunted his jailers between tortures. "We pulled you down from the trees and cut off your tail!" "Castro's apologists, those who excuse or downplay his crimes," said Mr Penalver.  "These people be they ignorant, stupid, mendacious whatever--they are accomplices in the bloody tyrant's crimes, accomplices in the most brutal and murderous regime in the hemisphere."

    But have you ever heard of Eusebio Penalver or any of the other black Cuban heroes?   Ever see a CNN interview with them? Ever see any of them on "60 Minutes"? Ever read about them in The New York Times? The Washington Post?  Ever hear them on NPR during Black History Month? Ever seen anything on them on the History Channel or A&E? Ever hear the NAACP or Congressional Black Caucus mention him?

    Why do I bother asking?  They were victims of the Left's premier pin-up boys, Fidel Castro and Che Guevara. 'Nuff said.

    Only six months before the Castroites invited Wynton Marsalis, they murdered Black human rights activist Orlando Zapata Tamayo. This black Cuban had endured an 83-day hunger strike seeking (vainly, as usual) to alert the world to the Castro regime's cowardly Stalinism and racism. Then in February of this year a series of savage beatings by his Communist jailers finished him off.  Naturally the MSM was no more revelatory of his death than they'd been of his jailing or hunger strike.

    Samizdats smuggled out of Cuba by eye-witnesses report that while gleefully kicking and bludgeoning Tamayo, his Castroite jailers yelled: "Worthless Ni**er!"

    Today the prison population in Stalinist/Apartheid Cuba is 80% black while only 9% of the ruling Stalinist party is black. Many of a certain age well remember many of Wynton Marsalis' musical colleagues mounting a campaign called "Artists United Against Apartheid," aimed at boycotting South Africa, reviling any musicians who played there, and showcasing the human rights abuses suffered by South African Blacks.

    Should we hold our breath for the same bunch to organize, "Artists United Against Castro-Stalinism?" 

    To top it all, for this heart-warming "Cultural Exchange" the Lincoln Center partnered with Castro's Secret Police. Leftists, kindly stifle the shrieks of "Mc Carthyism  at American Thinker!" and instead read the following :

    Here's the Wall Street Journal's report on this "Cultural Exchange" with Stalinist Cuba: "(Wynton Marsalis') invitation came under the auspices of the Cuban Institute of Music, an agency of the Cuban Ministry of Culture."

    Now here's what Cuban Intelligence defector Jesus Perez-Mendes,  during a de-briefing in 1983,  disclosed to the FBI  about the Cuban Ministry of Culture: "the Circulo de Cultura Cubana (Cuban Ministry of Culture) is controlled by the Cuban DGI (Castro's KGB -trained Directorio General de Intelligencia.)  

    By Humberto Fontova

    From: American Thinker

    Check this video for more information about Castro's regime:

    Cuba: Winds of Change, Part 1
     


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  • Thursday, October 7, 2010

    Cuba Offers Release, Exile to Select Political Prisoners

    Óscar Elías Biscet was sentenced to 25 years for "disorderly conduct" and "counter-revolutionary activities" in 2002. Still in prison, he refuses to leave the country
    According to leading human rights activists, Cuba's government has offered early release to about a dozen inmates so long as they go into exile. The islanders must chose between prison and their homeland. If such a deal is in fact realized, it would be the government's second major release of political prisoners this year. While the Cuban government's motives for implementing such actions are still uncertain, it might be viewed as an attempt to mend relations with the United States.

    In recent days, agents from the Ministry of the Interior visited the inmates and proposed the conditions of their possible freedom, said Elizardo Sanchez, head of the Cuban Commission on Human Rights and National Reconciliation.

     This past July, Cuban president Raul Castro agreed to the release of 52 political prisoners, including community organizers, human rights activists, agitators, and journalists who have defied state regulation on local papers. This historical event was supported by officials from the Cuban Roman Catholic Church and Cardinal Jaime Ortega Alamino, archbishop of Havana, who supported the deal in favor of better conditions for prisoners of conscience. Since July, 39 prisoners have been released and sent to Spain with their families, with the exception of one who was exiled to Chile. With the remaining few awaiting tentative release, this could mean that all 75 of the top activists imprisoned during the "Black Spring," a period of government crackdown on organized disobedience in March 2003, would be freed.

    Cuba's Roman Catholic cardinal, Jaime Ortega, reports that at least five of the prisoners who were given release under the July agreement are reluctant to leave. This may possibly harm the prospect of future releases. However, if all 52 are finally freed, the only other prisoner that will remain unreleased is a lawyer named Rolando Jimenez Pozada. He is considered to be a "prisoner of conscience" by Amnesty International after he was arrested in 2003 for dissidence, disrespect for the law, and unveiling government secrets.

    While the number of political prisoners unacknowledged by the Cuban government is always up for debate, Sanchez released a list of about 105 other names. Only about 40 of them, though, could be defined as nonviolent political prisoners, while others have been charged with more violent crimes, such as hijacking and murder. Sanchez's list includes the name of three men: Francisco Reyes Rodriguez, Lazaro Avila Sierra, and Leudia Arce Romero. They are serving life sentences for hijacking a plane from Cuba's Isla de la Juventud in 2003. The one exception to the list was Pavel Hernandez, who was sentenced to six years in jail for attempting to flee the island illegally.

    At least five of the 12 prisoners to be newly released are reluctant to accept the offer if it is finalized. According to a founder of the Ladies in White group, the prisoners say they refuse to be forced to move to Spain as a condition of the agreement, but that some say they will accept release solely for reasons related to their age and health. Hector Maseda, who will serve his full 20 years, has decided that he will remain on the island. His wife, Pollan, reports that many sectors of the internal opposition are charging the Cuban authorities with manipulating what is supposed to be a better situation for the prisoners and their families by granting their release only if they leave to Spain.

    Berta Soler, spokeswoman for the Women in White, told reporters, "The government is applying psychological pressure to those remaining in prison because they want to see them out of the country." Her husband, Angel Moya, is staying to serve his 20-year sentence.

    Of the group of five prisoners who plan to turn down the release under such conditions, three men are suffering from critical health issues. Among them is Pedro Arguelles Moran, who has arthrosis, advanced cataracts, and circulatory problems. The advanced age of some of the inmates is also a critical issue. Ramos, who at the age of 68 is the oldest of the group of 52 being released, is anxious to be freed but is worried about being forced to travel to Spain because he and his wife are too old, his wife told reporters. The remaining prisoners want to be released, but without the condition of having to leave Cuba. This includes Oscar Elias Biscet, who in absence received the Medal of Freedom from President George W. Bush in 2007, and is still serving his 25-year sentence. In a telephone conversation from Biscet's house in Havana, Biscet's wife told reporters, "My husband has suffered many pains and health complications, but he is holding his ground. He is a man of his word." The government's refusal to release the prisoners who wish to stay on the island has caused their families much pain and anxiety.

    Elizardo Sanchez told reporters that the release will allegedly take place during the first weeks of October. He has also added that there may be yet another release of a larger group of prisoners, but only under the condition that they leave Cuba. Therefore, the issue of potential future releases also depends on the European Union Council, who should meet this month to discuss the issue. However, this may not be a definitive priority for the EU in terms of global scope, says Joaquin Roy, director of the European Union Center at the University of Miami, told reporters

    By Gabriela Lorido

    From: The Heights

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